GROUNDSWELLS

by Wren

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Vidur Paliwal
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Vidur Paliwal There is a sense of memorability to Groundswells that was lacking on Wren‘s earlier releases. Even after multiple listens, the album maintains a freshness to it that makes me want to revisit it immediately. Detailed Review: everythingisnoise.net/reviews/wren-groundswells/ Favorite track: Subterranean Messiah.
rnrfantasy
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rnrfantasy Natural sounding modern heavy music along the lines of Light Bearer, Fall of Efrafa, Kowloon Walled City, and even Unwound. Carry the torch, boys. Sounds friggin' awesome. Favorite track: Murmur.
warren barton
warren barton thumbnail
warren barton I am in awe of this stunning band, once again they release a monster of an album. It is a post metal masterpiece of titanic proportions. Favorite track: Murmur.
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1.
Chromed 08:57
2.
3.
Murmur 06:00
4.
5.
6.
The Throes 07:38

about

LP/CD Pre-Order and special edition bundles available now via Gizeh Records: bit.ly/3eNhmeV

Following the autumnal theme of 2017’s ‘Auburn Rule’ and the grim ode to winter of 2018’s ‘Thrall’, ‘GROUNDSWELLS’ is the third chapter in Wren’s seasonal lore exploration, and their first through Gizeh Records. These six melancholy-shrouded sonic ruminations swell between intimate performances devoid of adornment, and evolving soundscapes of auditory ruin. Tracing an elemental arch, 'GROUNDSWELLS' captures Wren delving into earthen awakenings.

Launching into a monochromatic dirge, ‘Chromed’ announces the LPs stylistic intentions, forgoing the trappings of traditional harmony with deliberate pendulums of pitch and tone. Swarms of percussion drag the track to its conclusion in a collage of insidious feedback, with oscillations sculpted by the record’s producer, Scott Evans of Kowloon Walled City.

Elsewhere, swift variance is displayed in Wrens’ deft handling of genre and form, refusing to be solely one of either. The record courses between rigid post-punk, broad waves of dreaded sludge, and austere choral reverberations. Pulsating Krautrock themes present in their previous work are revisited, with a focus on embracing archetypal motorik technique, as the LP stretches compositions to their furthest tensions through profuse repetition, straining the cracks between.

Inviting physical, elemental surrounds into ‘Subterranean Messiah,’ Wren allow space for the sudden cloudburst of Middle Farm Studios in the introductory passage via location recording, embracing the interplay between source and locality. Combined with the painterly fretwork and ghostly chants of Fvnerals, the collaboration seeks an emotive new path of melodic vulnerability. In contrast, the closing elegy is layered with disharmonious cycles of agonised cello from Jo Quail. As with other conclusions on the LP, the track's commitment to strained repetition is rewarded with sonic climaxes of blackened psychedelia, led by stalagmitic spirals of atonalism.

Throughout the LP, Wren draws from their long-standing apologue, with a partnership of vocalists showcasing a lyrical and vocal interplay thick with a dense lore new to their compositions. 'GROUNDSWELLS' brings Wren to an equinox in their earthly contemplations. Ruminating on the decaying inanition that engenders renewal, this record is a revelry in the cyclical, repetitious infinity of planetary permanence.

credits

released June 26, 2020

Recorded by Scott Evans at Middle Farm Studios in South Devon, assisted by Chris Edkins.
Mixed by Scott Evans at Antisleep Audio in Oakland.
Mastered by Magnus Lindberg at Redmount Studios in Stockholm.
Additional Vocals and Guitars on 'Subterranean Messiah' performed and recorded by Tiffany Ström and Syd Scarlet of Fvnerals.
Additional Cello on 'Subterranean Messiah by Jo Quail.
Artwork by Joey Pearson of Smokin' Bones Club.

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